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hopefully i’ll make art again sometime soon

hopefully i’ll make art again sometime soon

(Source: ninaperlman.com)

disturber-magazine:

Melchior Tersen

disturber-magazine:

Melchior Tersen


(via disturber-magazine)
Eric Helgas
rings, [crop] April 2012

rings, [crop] April 2012

Dad After Watering the Plants, April 2012

Dad After Watering the Plants, April 2012

(Source: ninaperlman.com)

tommybruce:

Portrait no. 3
24x36”, Digital Photo
from Living the Life
    Living the life is about taking the language of commercials as honestly and earnestly as possible. If this is what you are telling me your product can do for me (make forget about my problems, bring my family together, perfect my home, cure my loneliness, allow me to connect with my children, let me relax, make me happy, get rid of that stench, take me to another world, make me pretty, make me smart, make me sexy, stop my stress, make mornings good, make me laugh) then okay, I am going to try to do that. 

Ansel Adams / WhiteWhite Teeth

tommybruce:

Portrait no. 3

24x36”, Digital Photo

from Living the Life

    Living the life is about taking the language of commercials as honestly and earnestly as possible. If this is what you are telling me your product can do for me (make forget about my problems, bring my family together, perfect my home, cure my loneliness, allow me to connect with my children, let me relax, make me happy, get rid of that stench, take me to another world, make me pretty, make me smart, make me sexy, stop my stress, make mornings good, make me laugh) then okay, I am going to try to do that.

Ansel Adams / WhiteWhite Teeth


(via tommybruce)

"Trying to pin down an exacting definition of “contemporary photography”, an ultimate list of what’s in and what’s out, has proven to be an elusive, frustrating, and perhaps even delusional, pastime. Do we distinguish between or eliminate camera-less images, photograms, darkroom effects, collage, montage, and rephotography/appropriation? Or do we just include anything and everything that has its output as a photographic print, regardless of the intermediate processes used to make it? Where are the edges and bright lines? These kinds of questions and debates have become even more puzzling with the increasingly broad use of digital technology and the advent of countless new printing processes. The boundaries of our photographic playing field are getting murkier every day."


(via photographsonthebrain)
David Semeniuk
David Semeniuk
Landscape Permutation 3 (2010) 

David Semeniuk

Landscape Permutation 3 (2010) 

Paper Fragments (& Fig. 1.12)
Curtis Mann

Paper Fragments (& Fig. 1.12)

Curtis Mann

Paper Fragments (Fig.2.16-2.17 )
Curtis Mann

Paper Fragments (Fig.2.16-2.17 )

Curtis Mann

connection #1 (somewhere, Israel)
Curtis Mann

connection #1 (somewhere, Israel)

Curtis Mann