“A good exhibition is never the last word on its subject. Instead it should be an intelligently conceived and scrupulously realized interpretation of the works selected, one which acknowledges by its organization and installation that even the material on view—not to mention the things that might have been included, but were not—may be seen from a variety of perspectives, and that this will sooner or later happen to the benefit of other possible understandings of the art in question. In short, good exhibitions have a definite, but not definitive, point of view that invites serious analysis and critique.”
-Storr, “Show and Tell”
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